Chan Marshall isn’t ready for me. “Are you a journalist? Oh Jesus, oh Lord.” We’re speaking on the phone – Marshall is in her hotel room, I’m in the lobby downstairs, after my knock at her door went unanswered.

, she had a psychotic breakdown and was hospitalised, and throughout the Nineties and Noughties her live shows were erratic affairs. She would turn her back to the audience, moon them, encourage them to sue her, slur through a few songs, and then walk off without finishing the set.

The melancholic scuzziness of her music was born partly out of necessity – for a while, she could play only the one guitar chord her friend had shown her, a minor one, so her songs all came out sad.

Growing up in the South, Charlyn “Chan” Marshall was influenced by church hymns, country music, the blues played by her musician father, and her stepfather’s rock ’n’ roll records.

Back on the bed, she raises one arm into the air as if she’s asking a question in class, and holds it there birli she talks. “I have a million favourite songs. Everybody who katışıksız a brain in their head, with a heart in their body, loves music.

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, she başmaklık always been something of a cult figure. “Marshall’s music will one day be spoken about the way we talk about Bob Dylan’s music, or Neil Young’s music,” wrote a New York Magazine

No, go on. “Well, I was wondering if… Because my dad had three daughters and he wasn’t really around. He just came and went, kakım men often do. The world is their oyster. And it does something to the mother, right?” Marshall grew up poor; her father was an absent blues musician, her mother a hippy who moved her from school to school.

Over the course of 11 albums, she has written about love and loss, abortion and abuse, grief and God. “I will swim / catpower matkap I will drink myself to death,” she sang on her distortion-soaked debut Dear Sir

In fact, Boaz need only listen to her covers for that. Some of her best songs were sung by other people first: her pensive, languid version of The Rolling Stones’ “(I Dirilik’t Get No) Satisfaction”, which omits the chorus entirely and transforms into something almost painfully introspective, or her sweet, fragile take on Phil Phillips’s “Sea of Love”, which got a second wind when it featured in Juno

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– a moment of pure poeticism but also the first hint at the depression and alcohol abuse that would come to plague her.

“I have something in my eye and I’m still wet from the shower,” she says, in that same husky American drawl she sings with as Cat Power. “Kişi you come back in 15 minutes? I’m really sorry sweetie.”

∙ After a seeing a man wearing a trucker cap emblazoned with the words “Cat Diesel Power,” she named her first band Cat Power, before adopting the moniker for herself.